THEATRE ORGAN CONCERT by KEVIN GRUNILL
At the Compton organ, Odeon Cinema, Weston-Super-Mare – 2pm Sunday 12th March 2006
Presented by the West of England Theatre Organ Society
Photo by P W Dolman
KEVIN GRUNILL AT THE ODEON COMPTON ORGAN WSM
There SNOW business like Show business and we had both, when over night a large part of the country wore a white mantle of snow. However, in this area it soon cleared, and in the warm comfort of the Odeon cinema we settled down to Show business as Presenter, Stephen Dutfield, introduced our guest organist, KEVIN GRUNILL.
Kevin had previously entertained us in March 2004 and we were delighted to see him back.
Apart from being well qualified musically speaking, Kevin also owns a 4/10 Compton now installed in the Penistone Paramount in South Yorkshire and on which console he is often found during the winter months. He is also interested in the history and construction of theatre organs. He has played as resident organist for eight years on the North Pier Blackpool, although this is currently undergoing renovation after suffering storm damage.
Barnsley born in 1972, he has played in many of the country’s major musical venues including the Playhouse Weston, the Opera House and Tower Ballroom in Blackpool. He performs on piano, electronic organ and theatre organ with equal skill and enthusiasm.
So the lights dimmed, the spots shone down, and Kevin rose into full view on the organ lift playing, ‘Everything’s coming up roses’ from ‘The Gipsy’. He said that every time he plays an organ with a ‘jelly mould’ surround of colourful lighting effects like ours, it suggests to him an appropriate tune from ‘The Wizard of Oz’ and made famous by the great Judy Garland, ‘Somewhere over the rainbow’.
A waltz tempo was his next choice. However, this was a Latin American waltz that would indeed test the responsiveness of the organ with fast rhythmic patterns – ‘Eleanora’. Although Comptons are sometimes a bit slow in action, this Compton met the challenge admirably and all worked to perfection.
Applause led straight into ‘You’ll never know (just how much I love you)’, certainly a contrast in tempo and played with much feeling and continuing with ‘I know why’ and ending with a swinging rendition of ‘At Last’. All those tunes were from the pen of Harry Warren.
Kevin’s next selection was of tunes in Polka tempo. The first was written by Henry Mancini for the film ‘Great Race’ and called ‘Pie in the face’. The next polka ‘The Wedding’ was arranged by Bryan Rodwell, a past resident of Weston. The ‘Bluebell Polka’, and the ‘Punch and Judy Polka’ followed and ended with the ‘Peanut Polka’.
The ballad ‘Beware my heart’ by contrast, created a more soothing atmosphere.
Music from warmer climes helped us to forget the cold outside with ‘Cobacabana’, ‘Cumana’, ‘Zambesi’ and finally the Ethel Smith classic ‘Tico, Tico’ to test both Kevin and the organ.
To bring us to the Interval Kevin played a selection of tunes from Sigmund Romberg’s musical, ‘The Student Prince’. Some of the most popular songs of this show were, ‘Golden Days’, ‘Student’s Marching song’, ‘Drinking Song’, ‘In Heidelberg Fair’, ‘Gaudeamus Igitur’, ‘Deep in my heart’ and ‘Serenade’.
On this last number the deep pedal notes thundered forth as Kevin took the Compton down once more to the sound of applause in appreciation of the music from this lovely, timeless, romantic Operetta.
Interval time saw the queue for ice creams and drinks in the Foyer and the hubbub of conversation.
Kevin commenced his second half with ‘Sing everybody, sing’ and followed this with a Lament from the American Civil War called the ‘Ashokan Farewell’ that approached very quietly, building up to full volume then finally fading into the distance again.
Kevin then said that as we were not too far away from Wales he would play music by one of his favourite composers. His name was David Davies but we would better know him by his stage name of Ivor Novello.
He wrote some wonderful Operettas over the years, ‘King’s Rhapsody’, ‘Perchance to dream’, ‘Glamorous Night’ and ‘The Dancing Years’. So from the latter Kevin played the lilting ‘Waltz of my heart’.
Another Yorkshireman, namely Terry Herrington, had written the next number especially for Kevin, who he had taught to play the organ from the age of thirteen until about seventeen years old.
Kevin then played this composition called ‘The White Rose March’ commencing with a suggestion of Ilkley Moor bah tat and subsequently including a definite Yorkshire flavour in the music.
As the Compton organ firm were originally church organ builders, in Kevin’s opinion, the straight non-tremulant music always seemed to sound better on a Compton and he proceeded to demonstrate this with a classical selection of music familiar only to those appreciative of more serious works.
Kevin’s final selection consisted of the great tunes from the Musicals of Stage and Screen from the pens of Lerner and Lowe, Jerome Kern and Rogers and Hammerstein. And so we were treated to ‘There’s no business like show business’, ‘The trolley song’, ‘The Sound of Music’, ‘Get me to the church on time’, ‘Hello Dolly’, ‘Phantom of the Opera’ and ‘Cheek to cheek’ descending once more from sight to the depths.
Audience applause demanded an Encore and Kevin obliged by literally rising to the occasion with ‘Hold That Tiger’ followed by the audience clapping to his final ‘I do like to be beside the seaside’.
Stephen Dutfield thanked Kevin for a wonderful concert of music to suit everyone and we look forward to his return visit in the near future.
Concert Report by Paul W Dolman ‘Holmleigh’ 209 Wick Road, Brislington, BRISTOL BS4 4HP Tel 0117 977 8484
Western Secretary – TOC….. Email: paul.dolman1@btopenworld.com